Kris Kristofferson Fans Need to Watch The Musician in This 1970s Drama

When country music legend Kris Kristofferson passed away on Sept. 28, 2024, most of the public tributes to him understandably spotlighted his successful career as a trailblazing and award-winning singer-songwriter. Even as he was contributing to the hugely influential “outlaw movement” of country music alongside fellow icons like Willie Nelson and Waylon Jennings in the 1970s, Kristofferson set out to prove that his talents extended beyond the music world. To that end, Kristofferson embarked on a successful career as a Hollywood actor, starring in films like the 1972 cult classic crime drama Cisco Pike and the 1976 remake of the acclaimed musical A Star is Born, which earned him a Golden Globe.

Perhaps the most impressive display of Kristofferson’s acting chops came in the 1974 romantic comedy-drama Alice Doesn’t Live Here Anymore, directed by Martin Scorsese. The film centers on single mother Alice Hyatt (Burstyn) as she leaves her home in Socorro, New Mexico after her husband’s sudden death with her young son, Tommy (Alfred Lutter), in pursuit of a singing career. Her journey takes her to Tucson, Arizona, where she meets a divorced ranch owner named David, played by Kristofferson, and sparks quickly fly between the two. However, the compatibility of their relationship remains uncertain. Despite sharing the screen with Oscar winner Ellen Burstyn, Kristofferson holds his own and proves that his acting abilities are just as praiseworthy as his musical ones.

The Nuance of Kris Kristofferson’s Performance

The simultaneously gritty and vulnerable image that Kristofferson cultivated as an outlaw country musician made him the perfect casting choice for David, who is shown to have both a sentimental side and a tough side. In his romantic scenes with Burstyn, his delivery of David’s jokes, anecdotes, and flirtatious remarks is casual and dry in an endearingly folksy kind of way. His distinctive blue eyes are only further accentuated by his otherwise scruffy face, and his smile conveys such warmness that it is easy for the audience to see why Alice falls for him.

At the same time, Kristofferson’s geniality in some scenes makes it all the more heart-wrenching when he displays a harsher side in others. For example, in one of the film’s more difficult-to-watch scenes, tempers flare after David tries to teach Tommy to play guitar for his birthday (lest we forget that David is played by a real-life musician). It is to Kristofferson’s credit as an actor that he is able to make the audience still empathize with his character to some degree, even as he unfairly lashes out at Tommy and Alice. His frustrated outbursts come off as confused and desperate, rather than malicious.

In the scene’s final shot of David alone in Alice’s apartment, his deflated posture suggests that he is just as mad at himself as he is at Tommy and Alice. The scene paints a picture of a man still resentful of his estrangement from his own children due to his divorce. Kristofferson’s verbal delivery and body language convey David’s personal demons so effectively that one would be forgiven for thinking he had been an actor for far longer than a couple of years.

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Kris Kristofferson’s Acting and Music Legacy

Even though Alice Doesn’t Live Here Anymore is generally less well-known than some of Scorsese’s other works, it nevertheless was a critical and commercial success, grossing over $20 million and winning the BAFTA for Best Film. Burstyn won the Academy Award for Best Actress, while the film received two more nominations for Robert Getchell’s screenplay and Diane Ladd’s supporting performance as Alice’s friend Flo. Although Kris Kristofferson was not recognized by any major awards shows for his performance in this film, it nevertheless cemented his credentials as a serious actor in the eyes of many filmmakers in Hollywood and beyond.

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The authenticity of David’s scenes with Alice and Tommy is certainly due in large part to Getchell’s screenplay and Scorsese’s grounded, intimate direction. However, solid writing and direction mean nothing if the actor fails to deliver in his performance. Fortunately, Kris Kristofferson, despite his relative inexperience as an actor, certainly delivers in this film. Rather than rely solely on his star power and name recognition to carry his performance (a common trend in Hollywood these days), Kristofferson instead took the discipline of acting seriously, and delivered a complex performance that stands out even among a loaded cast featuring many of the era’s finest actors.

While Kris Kristofferson undoubtedly leaves behind an immeasurable legacy as a musician, it would do him a disservice to overlook his talents and accomplishments on the big (and small) screen. For any of his fans who know his music well but are less familiar with his work in film and television, Alice Doesn’t Live Here Anymore is an excellent place to start.

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Alice Doesn’t Live Here Anymore

Release Date

December 9, 1974

Runtime

112 Minutes

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