Asteroid City Outshines The French Dispatch in Domestic Earnings

Wes Anderson‘s latest feature, Asteroid City, is rapidly carving out a spot for itself. The film has showcased the director’s unrivaled ability to marry charm and commercial success.

Per Collider, the movie has managed to amass an impressive $24 million from the domestic market of the United States and Canada. It stars the impressive trio of Jason Schwartzman, Scarlett Johansson, and Tom Hanks.

This performance places it firmly on the trajectory to regain its production costs, underlining Anderson’s continued appeal to audiences and the consistent profitability of his distinctive filmmaking style.

Asteroid City’s latest box office surge, which saw it rake in an additional $2.23 million this past weekend, places it on par with other titles in Anderson’s body of work. The animated adventure, Isle of Dogs, bagged $64.2 million upon its 2018 release, featuring performances from Hollywood stalwarts like Bryan Cranston, Edward Norton, and Tilda Swinton.

In a similar vein, The French Dispatch, another of Anderson’s brainchildren, concluded its cinematic run with a global total of $46.3 million. Asteroid City has now surpassed The French Dispatch’s domestic earnings of $16.1 million, and seems set to finish its run with a total haul closer to that of The French Dispatch and Isle of Dogs than to the director’s highest-grossing film to date, The Grand Budapest Hotel, which made $173 million on a budget of $25 million. Currently, Asteroid City boasts global earnings of $34.6 million.

RELATED: Asteroid City: 10 Best Performances in Wes Anderson’s New Movie, Ranked

The Multilayered Storytelling of Asteroid City

Focus Features

The film’s narrative, named after the fictional Asteroid City within the movie, features a play within a play structure, with the characters assuming various roles in this nested narrative. The plot centers on war photojournalist Augie Steenbeck (played by Schwartzman), who is planning to attend the Stargaze Convention with his children, all while keeping the death of their mother a secret from them.

Adding to the complexity of the plot is the resistance from Steenbeck’s father-in-law, Stanley (played by Tom Hanks), coupled with a burgeoning romantic subplot between Steenbeck and Midge Campbell (Scarlett Johansson). This on-screen amour intriguingly mirrors the real-life love affair evolving between their portrayers.

In typical Anderson fashion, the film boasts an ensemble cast brimming with renowned talents. Johansson’s portrayal of Campbell not only becomes a pivotal part of the narrative but also her real-life romance introduces an additional layer of complexity, making the film all the more compelling.

This complex, multi-layered storytelling is further highlighted by the character of General Gibson (played by Jeffrey Wright), who finds himself battling alien invasions even as love blossoms in the town.

In a testament to Anderson’s relentless creativity, it has been announced that the prolific director is already onto his next project. The Wonderful Story of Henry Sugar, starring Benedict Cumberbatch in the lead role, is a four-part short film set to premiere on Netflix.

This film will chart the exploration of Roald Dahl’s darkest side, played by Ralph Fiennes, and how it sets the stage for Cumberbatch’s enigmatic character. Judging by the anticipation already building around the project, it appears Anderson is poised to add yet another critical and commercial success to his eclectic filmography.

You can view the original article HERE.