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Summary
- Adapting the beloved manga One Piece into a live-action series was a demanding and overwhelming endeavor for showrunners Matt Owens and Steven Maeda.
- Eiichiro Oda, the creator of One Piece, was unyielding and rigorous in his involvement with the Netflix team, creating palpable pressure for Owens.
- Despite the challenges, Owens and Maeda’s passion for the material and determination to stay true to it eventually won Oda over, forging a promising path for the live-action adaptation.
When venturing into the treacherous seas of adapting a well-loved and revered manga into a live-action series, the stakes are often higher than one might expect. For Matt Owens and Steven Maeda, the showrunners behind Netflix’s adaptation of One Piece, the journey was filled with more than just choppy waters.
Collaborating with Eiichiro Oda, the mastermind behind One Piece, proved to be a demanding and overwhelming endeavor, culminating in a tension-filled development process. Spanning over twenty years, the story of Monkey D. Luffy and the Straw Hat Pirates’ pursuit to make Luffy the King of Pirates has unfolded through One Piece. This epic has translated into an animated series with a staggering 1,000 episodes, amplifying its fame. Netflix now holds the torch, geared to launch the live-action adaptation of One Piece.
The transformation of such a beloved story into a new format is never an easy task. According to Matt Owens, who spoke to GamesRadar+ about the process, Eiichiro Oda was unyielding and rigorous in his involvement with the Netflix team. The pressure was palpable, as Owens states:
“I don’t think I’ve ever been more nervous for anything in my entire life. Here was this person who has created this story I hold so much love and reverence for, and I’m asking him to trust me with his baby. I’m not going to lie, he was tough in the beginning – this wasn’t the first attempt at a live-action One Piece, and we weren’t the first people to try to express it in a new way. But I think once he realized we were coming from the right place – trying to protect this series and create a new avenue for even more people to fall in love with it – he started to trust us.”
The challenges were real, but Owens and Maeda’s passion for the material, and their determination to stay true to it, eventually won Oda over. Their shared love for the story fostered a bond of trust and respect, allowing them to find a unified vision.
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The Live-Action One Piece’s Ambition to Welcome Newcomers into Oda’s Expansive World
Netflix
Netflix’s track record with transforming anime into live-action has been inconsistent. But with One Piece, a deliberate and focused attempt is being made to chart a different course. The presence of Mayumi Tanaka, the original voice actor for Luffy, hints at a determined pursuit of authenticity. The unique characteristics that endeared One Piece to audiences, including quirky characters and a bright, vibrant world, are embraced by the show, with a hint of realism added.
The new live-action One Piece adaptation aims to attract more than just the hardcore fans. It offers newcomers a gateway to the expansive world created by Oda. For those unfamiliar with the manga’s extensive history, the show provides a refreshing new entry point. Oda’s involvement is more than just a stamp of approval. It’s a safeguard to ensure that the essence of One Piece remains intact. His demands and oversight may have been nerve-wracking, but they likely set the show on a course to success.
The voyage to bring One Piece to life in live-action form has been an adventurous one, fraught with challenges, nerves, and the towering expectations of a beloved creator. However, the mutual love and respect between the creators and the original artist seem to have forged a promising path. With strong adherence to the original essence and the utilization of the enthusiasm and expertise of the creators, the live-action One Piece adaptation stands on the brink of an exciting new adventure.
Whether it succeeds in capturing the magic of the original will soon be seen by fans old and new on August 31.
You can view the original article HERE.
